If you were to encounter this striking, curvaceous two-door coupe on the manicured lawn of a premier concours d’elegance, your instincts might immediately draw you toward the Italian marques. With its sweeping lines, Jet Age tail fins, and a tall, ethereal greenhouse, it possesses the distinct architectural DNA of a 1950s-era Maserati or a bespoke Alfa Romeo. Yet, to categorize it as such would be a fundamental error in automotive history. This is, in fact, a Jaguar—or at least, the mechanical soul of one—clothed in a rare, haute-couture garment by the masters of Turin. This is the 1956 Jaguar XK140 SE Ghia, an enigmatic intersection of British engineering and Italian artistry. As one of only four such vehicles ever commissioned, it remains one of the most curious "what-if" machines to emerge from the mid-century period. Now, as it prepares to cross the auction block at Mecum’s Indy 2026 sale, this masterpiece offers a window into a time when the world’s greatest coachbuilders were invited to redefine the boundaries of British sportscar design. The Genesis: A British Chassis in an Italian Atelier The story of this vehicle begins in 1955. Jaguar, then riding high on the success of its XK120 and the newly launched XK140, was a company defined by its forward momentum. In a bold experiment, the Coventry-based manufacturer supplied 10 bare-bones, rolling-chassis versions of the XK140 to select European coachbuilders. The intent was simple yet ambitious: to see how the world’s most talented designers would interpret the robust, high-performance Jaguar platform. Of those 10 chassis, four were shipped to the legendary Carrozzeria Ghia in Turin. Ghia, already famous for its work with Ferrari and Lancia, assigned the project to its in-house design virtuoso, Giovanni Savonuzzi. Savonuzzi, a man known for his aerodynamic prowess and artistic sensibility, opted to break away from the traditional, rounded British aesthetic. Instead, he envisioned an all-aluminum body that embraced the futuristic, "Jet Age" sensibilities of the era. The resulting XK140 SE Ghia was a masterpiece of hand-formed metal, featuring dramatic tail fins and a refined, glassy cabin that felt more like a grand tourer for the Riviera than a standard production car from Coventry. A Chronology of Star-Studded Provenance The specific example currently headed to auction is the fourth and final build of the Ghia-Jaguar quartet. Its history reads like a ledger of mid-century Hollywood elite. Delivered to R.W. Martin of La Jolla, California, through the influential Los Angeles distributor Hornburg, the car was quickly recognized as a piece of rolling sculpture. Its most notable early custodian was Gower Champion, the Tony Award-winning actor, dancer, and legendary Broadway theater director. Champion, a man of refined taste and artistic vision, held the car for nearly a decade, cementing its status as an object of fascination among the West Coast’s creative circles. In 1967, the vehicle transitioned into the hands of a man who would become arguably its most famous owner: Ricardo Montalbán. Long before he became the iconic Mr. Roarke on Fantasy Island or the face of the Chrysler Cordoba—and its famous "rich Corinthian leather"—Montalbán was a connoisseur of unique automobiles. During his years of ownership, the actor was frequently photographed with the car in Los Angeles. Friends of the actor noted that Montalbán took great delight in the car’s anonymity; he often chuckled that it was a vehicle of such mystery that even the most seasoned automotive enthusiasts were baffled by its lineage, unable to identify its Jaguar roots beneath the bespoke Italian sheet metal. By the early 1990s, the XK140 had found a new home within the prestigious Blackhawk Collection in Danville, California. It was during this tenure that the car underwent a comprehensive, ground-up restoration, returning it to the showroom condition it enjoys today. It served as a highlight of the collection, appearing at the Pebble Beach Concours d’Elegance in both 1992 and 1996, where it stood as a testament to the enduring appeal of coachbuilt exotics. Technical Specifications: The Marriage of Power and Elegance While the body is purely Italian, the heart of the machine is quintessentially Jaguar. As a Special Equipment (SE) model, this car benefits from the technical advancements Jaguar introduced when the XK140 superseded the XK120 in 1955. Under the long, sculpted hood lies the legendary 3.4-liter inline-six engine. In this iteration, the unit is tuned to produce 210 horsepower, a formidable figure for the mid-1950s. This power is transmitted through a four-speed manual transmission, allowing the car to achieve a top speed of approximately 125 mph and a zero-to-60 mph sprint of roughly 8.4 seconds. However, the Ghia version offers a distinct performance advantage over its steel-bodied siblings. By utilizing an all-aluminum shell, Savonuzzi’s design shaved as much as 220 pounds from the car’s curb weight. When combined with the improved brakes and the then-modern rack-and-pinion steering—a significant upgrade over the primitive recirculating ball systems of the past—the XK140 SE Ghia transformed into a agile, responsive, and genuinely sporty machine. Inside, the cabin reflects a luxurious attention to detail. The recent restoration preserved the integrity of the design while elevating the materials. The interior features rich tan leather upholstery, complemented by deep brown wool carpets edged in matching tan piping. The dashboard, a minimalist affair, is dominated by original Smiths instrumentation, serving as the only true nod to the car’s British dashboard origins. The Auction: A High-Profile Offering The vehicle’s journey to the auction block is as notable as its history. After surfacing at an RM Sotheby’s auction in 2022, where it fetched $335,000, it was acquired by the secretive and high-profile "M Group" collection based in Burlington, Washington. Now, as part of a curated 41-car offering, it stands as one of the undisputed stars of the Mecum Indy 2026 sale. David Purvis, Mecum’s director of consignment, emphasizes the rarity and historical significance of the piece. "Being one of just four examples handcrafted by Carrozzeria Ghia, and enjoying a fascinating celebrity ownership, it is a car with immense appeal to any collector of unique ’50s European sports cars," Purvis says. The vehicle comes complete with its original Jaguar Heritage Trust Production Record Trace Certificate, documenting its inception and confirming its authenticity. With 59,929 miles on the odometer and a pedigree that spans Broadway to Hollywood, the car is expected to draw significant interest. While Mecum has opted for a "no reserve" strategy, market experts estimate the value of such a singular piece to range between $400,000 and $500,000, though the rarity of the coachwork could easily push that figure higher in a competitive bidding environment. The Legacy of the Coachbuilt Era The 1956 Jaguar XK140 SE Ghia serves as a poignant reminder of an era that has largely vanished from the automotive landscape. In the 1950s, the relationship between chassis manufacturers and design houses was a symbiotic one, fueled by curiosity and the pursuit of beauty. Today, with the rise of standardized production and stringent safety regulations, the concept of sending a chassis to an external studio to be "re-bodied" is virtually extinct. This car is more than just a means of transportation; it is an artifact. It represents a brief moment in time when a British engine and an Italian hand could collaborate to create something that defied categorization. Whether it is the subtle "growler" badge on the nose or the way the lines of the original XK140 grille are hidden in plain sight within the Ghia-designed front end, every detail invites the viewer to look closer. As it prepares to cross the auction block in Indianapolis on May 16, the XK140 SE Ghia will once again be the center of attention. It is a car that would be welcomed at any major concours event in the world—a machine that, despite its fame among collectors, still carries the air of mystery that Ricardo Montalbán so cherished. For the lucky bidder, it will not just be the purchase of a classic car; it will be the stewardship of a piece of design history, a ghost of Turin that remains as captivating today as it was seven decades ago. Post navigation The Great Cinematic Retreat: Why Hollywood Has Abandoned the Cultural Conversation